Showing posts with label Dance. Show all posts
Showing posts with label Dance. Show all posts

Sunday, May 4, 2014

Starlight Express

My friend Grant was in town the other week, and the first thing he requested to do? "Roller disco". More specifically, the "Crazy Legs Skate Club" roller disco.  Located inside a Salvation Army in Brooklyn, this spectacle happens every Wednesday night with a live DJ.

The three block radius of this building is completely dead, so we heard the music blaring from the gymnasium before we even turned the corner. If we hadn't been about to enter a rollerblading disco party, I might have feared for my life. The street was dark and there was no one in sight, but slowly, one by one, people started to roll up. Literally. Out of the shadows, people came skating up to the door in their roller blades. They meant business. My care-free attitude about the night's events quickly turned into an, "Oh My God I am so in over my head." As we walked in, people were standing around in their skates, socializing with drinks and snacks in the entry room. It was a mixture of young hipsters in high-waisted mom jeans and older, die-hard locals in un-irconically high-waisted mom jeans. We paid our $15 (steep!) and sat down to put on our skates.

On our way over, Ariella had been confessing her anxiety about getting back on skates for the first time since the '90s. While I was in the same boat, I had this idea in my head that rollerblading is one of those things that, even if you were terrible the last time you attempted, the power of time and maturity would magically have enhanced your skills. I would pop into those bad boys and skate away like Nancy Kerrigan pre-Tanya Harding. Fun fact: Nope. I refused to stand for the first 10 minutes, terrified out of my mind. These weren't inline skates, mind you. These were those terrible, old-school kind with the "brake" in the front. But the "brake" is actually impossible to use so you have to adopt a kind of pizza-wedge technique I typically reserve for skiing. And while Grant and Michael swore they hadn't skated in years, they zipped away like the graceful water nymph and child of an ex-Rollerblade employee (true story) that they are.

My second mistake of the night: "Oh, a disco-themed roller rink? What fun! Let me just throw on my most obnoxious '70s gear and tease me hair! I'll blend in with everyone else and look fabulous at the same time!" Apparently, "disco" refers solely to the type of music played and not the dress code. All of a sudden my furry coat, patterned pants and gold sequin top became my worst enemy. I turned into a shining beacon of light, slowly orbiting the gym in such a pronounced way that when people started lapping me (which they did. over and over again) they knew. They were well aware. No blending in for this gal! Every time Michael or Grant whizzed past me, I'd get a tender, encouraging touch on my upper back and a supportive wink. Sometimes these intimate gestures came from other people. I think that's part of the skating culture(???).

By some great act of God, I never fell. I must say, however, that when you're going at a snail's pace, it enables you to really take in the endearing details of Crazy Legs Roller Club. For example, the way star crossed-lovers skate arm-in-arm, backwards, with their eyes closed while you claw along the wall like a leper from Jesus Christ Super Star (honestly, that's the only comparison I could think of at the time). And while people skate laps around the dimly lit gymnasium, center court is reserved for the break-dancers. Yes, break-dancing in roller blades is a thing, and these guys are good. The majority of them are middle-aged men and I found it fascinating that this is obviously their Wednesday night, every Wednesday night. One man took pity on us as we encircled the seasoned pros and gawked at their talents. He tried to teach us some moves, and Michael was dedicated enough to actually get on the ground and bust a few. Grant, being a naturally elegant swan, didn't need any lessons and floated away.

Michael attempted to convince the DJ to play Beyoncé's Blow, because, duh, but the DJ stuck with B-list disco songs (except for when he played Lorde's Royals...?). But once our back sweat had thoroughly soaked through our paisley button downs and fur, we decided it was time to turn in. And like the true Brooklyn-dwelling, disco-skating bohemians that we are, we Uber-ed back to our warm beds and called it a night. While I can assure you that Michael and Grant will be back for more, I will probably opt out for a new, slightly less death-defying adventure. Canoeing down the toxic Gowanus canal, anyone?


getting our blades on.

Photo cred: Michael Offerman. See, I wasn't kidding about the shining beacon of light. Or the being in pain thing.

xx

Friday, January 17, 2014

Friday Night Tracks Yo

I've recently been listening to these songs on repeat and they're great to pump you up to be social and get out of the house on a Friday night and make friends and talk to people and not sit on the couch and read a book and drink tea (not that I have this issue myself... #secretlyintroverted) That said, two wonderful friends of mine, Jacob and Sarah, are visiting the city this weekend, so cheers to that!

Sam Smith. Money On My Mind.
Selina showed me this Brit. He's the voice on Disclosure's Latch and I think he has an eerily beautiful falsetto:
Twin Shadow. Old Love/New Love.
Okay, okay so apparently everyone already knows this song (looking at you Elise+ everyone else), but that doesn't mean it's any less good! Amiright?


Mapei. Don't Wait.
Not sure if this Stockholm-based girl is supposed to be "the next big thing" or not but she is awesome. (Also diggin' this Kingdom remix)


St. Lucia. All Eyes On You.
Why they don't have a music video for this baffles me.
        

Natalia Kills. Saturday Night.
Her eyebrows. That sequin dress. This is a nice angsty/teen-anthem guilty pleasure.

Foxes. Let Go for Tonight.
Similar to above. Mostly just a fresh of breath air because she's not Miley. I think these guys are on the rise. 


And last but OBVIOUSLY not least.
Beyoncé. Drunk in Love ft JAY Z.
I've watched this video everyday at the gym for the past two weeks. Great motivation. It just kills me how they're just like, "Yeah, we're married and we're amazing and we know it and all of you are jealous and you will never have this. Look how cool we are. " Bye.

Tuesday, January 14, 2014

Give It 100


Have you heard of Give It 100? I hadn't until just now when Refinery29 posted this video about LaKeisha. Her story is definitely inspiring and heart-warming, but I also find the greater concept of GiveIt100.com to be incredibly fascinating. 

Created by Karen Cheng after she learned how to dance in a year and her video went viral, Give It 100 encourages people to document 100 days of doing something- anything- and sticking to it. From juggling to weight loss to playing the ukelele, hundreds of people are using this platform as a tool for motivation and dedication. Regardless of whether or not people are watching your videos, you're still being held accountable and giving up would be more of a public surrender than just a private one. 

Check out all the projects here but beware, it can be a time-sucker. What would YOU do for 100 days? I think I would try to make myself do a blog post everyday...

Also this guy is my favorite.

Saturday, December 7, 2013

The Good Parts of Being Alive

I wanted to share my friend Anna's Kickstarter with you all. It's an incredible project and she is one of the most talented choreographer/dancers that I know. I'm honored to have her guest post today. Enjoy and please contribute if you can!
...
My name is Anna Reyes, and I’m a professional dancer, choreographer, and teacher based in Boston, MA. I grew up in Austin, Texas, next door to Chantal and her sisters. We spent many hours together, dancing, playing tag, making plays, etc. My favorite memories prove that we were cool and hip beyond our years: we spent many hours dancing to the Eurythmics (Sweet Dreams are made of this...), jumping and shaking our thangs on the living room couch! {Editor's note: This was my favorite part of my childhood no joke)

My moves are just as sweet as a my former six year old self's moves (and hopefully a little more refined after years and years of studying dance). Yet as all artists have experienced, one can start to feel in a rut, no matter HOW cool her art is. About eight months ago, I was nursing a nagging, restless feeling; I knew I needed to make something, but what? Choreographing for the stage seemed like an obvious answer, but for some reason, I couldn’t get excited about it. I knew creating anything without the excitement behind it would be an arduous, unfulfilling task.


            In the interim, I had the opportunity to star in a short film, “Eighteen,” by acclaimed visual artists Teresa Hubbard and Alexander Birchler. (Check them out at hubbardbirchler.net)  Filmed in Austin, Alex and Teresa were generous enough to incorporate my dance improvisation into their film. Starring in the piece was extremely hard work (two of the three shoot days lasted from dinner time until sunrise!), but equally as exhilarating and fulfilling. Upon returning home from Austin, I had an answer to my restlessness – make my own film!


            I’m currently making a dance film entitled “the good parts of being alive.” The film explores the stages of romantic relationships. A relationship is extremely fluid, more like running water than ice, and is easily shifted by the time and space it inhabits. Time - how long you have known one another, how one feels at a specific moment, whether the time you have together is long or short, limited or unlimited. Space - the location of the relationship, if you share a home or are long-distance, whether the space between two bodies is large or small when you're together, how much mental space one has for his/her partner, etc. Around the same time I began to contemplate time and space in within relationships, a friend introduced me to the artwork of Egon Schiele. I fell in love with his portraits and was immediately drawn to the strange, evocative poses he painted. I was surprised that the poses he chose were so contemporary and dance-like. His work inspired me to choreograph, and to incorporate my ideas and experiences to the framework his art provided.


           “the good parts of being alive” is my most exciting project to date, but it’s not finished yet! I’m running a Kickstarter Campaign to raise the funds for finishing film, paying the artists involved, and submitting the film to dance festivals around the world. If it looks like something you want to be a part of, make a pledge! If nothing else, help spread the word! 

Check out the webpage here and the video below: http://www.kickstarter.com/projects/483988747/the-good-parts-of-being-alive


If you need a little encouragement to make a contribution, just picture Chantal, her sisters, me and my sister Paulina, all jamming out in the living room. Make that former six year old's (second from the right) future dream come true! 

-Anna Reyes